Handel - Messiah
In this production of Handel’s Messiah, Peter will be singing the Bass solos.
Kurt Weill & Bertolt Brecht: Rise and Fall of The City of Mahagonny
New for 2025/26. Consumerism meets hedonism in ENO’s alluring new production of Kurt Weill and Bertolt Brecht’s rarely performed and frighteningly relevant tale of satisfaction at any price.
In this production, Peter Edge will be singing baritone.
Kurt Weill & Bertolt Brecht: Rise and Fall of The City of Mahagonny
New for 2025/26. Consumerism meets hedonism in ENO’s alluring new production of Kurt Weill and Bertolt Brecht’s rarely performed and frighteningly relevant tale of satisfaction at any price.
In this production, Peter Edge will be singing baritone.
Kurt Weill & Bertolt Brecht: Rise and Fall of The City of Mahagonny
New for 2025/26. Consumerism meets hedonism in ENO’s alluring new production of Kurt Weill and Bertolt Brecht’s rarely performed and frighteningly relevant tale of satisfaction at any price.
In this production, Peter Edge will be singing baritone.
Bach, the Universe and Everything | Bach: Was Gott tut, das ist wohlgetan (‘What God does is well done’), BWV 100
The 8th season of Bach, the Universe and Everything continues with Orchestra of the Age of Enlightenments performance of ‘Was Gott tut, das ist wohlgetan’ – a remarkable cantata that appears to have been performed at an unspecified special occasion in Leipzig in 1734 (we’ll hear another such work at March’s event).
Peter Edge sings the bass solos as a Rising Star of the Enlightenment.
Lunchtime at the Charterhouse: 2025 HSC Finalists
International Handel Singing Competition Finalists
Peter Edge sings the bass solos in this recital.
Bach Mass in B minor
Sir John Eliot Gardiner conducts Bach Mass in b minor, BWV 232
Peter Edge sings the bass in the choir.
Mozart Requiem in D minor
Sir John Eliot Gardiner conducts Bach Mass in b minor, BWV 232
Peter Edge sings the bass in the choir.
Bach Mass in B minor
Sir John Eliot Gardiner conducts Bach Mass in b minor, BWV 232
Peter Edge sings the bass in the choir.
Mozart Requiem in D Minor
Sir John Eliot Gardiner conducts Bach Mass in b minor, BWV 232
Peter Edge sings the bass in the choir.
Music and the Land—Bach and the Ecology of Listening
How do the wonders of nature inform our ways of listening and artistic expression? The first part of this seminar, led by the world-renowned and prestigious maestro Sir John Eliot Gardiner, uses the music of Bach as a starting point to explore the intricate connections between music, nature and the ecological environment.
Peter Edge sings the bass in the choir.
Mozart Requiem in D Minor & Haydn ‘Maria Teresa’ Mass
In this performance of Mozart’s Requiem and Haydn’s ‘Maria Teresa’ Mass, Peter will sing the baritone solos.
Bach, the Universe and Everything | Bach: In allen meinen Taten (‘In all my actions’), BWV 97
The 8th season of Bach, the Universe and Everything continues with Orchestra of the Age of Enlightenments performance of ‘In allen meinen Taten (‘In all my actions’), BWV 97.
Peter Edge sings the bass solos as a Rising Star of the Enlightenment.
Bach: St John Passion
Johanna Soller makes her London debut in Bach’s soulful St John Passion. The Artistic Director of the Munich Bach Choir has been praised for her unique combination of emotion, focused energy and intelligence.
Peter Edge sings the bass solos and Christus as a Rising Star of the Enlightenment.
Bach: Bleib bei uns, denn es will Abend werden, BWV 6, Der Himmel lacht! Die Erde jubilieret, BWV 31 & Easter Oratorio, BWV 249
The cantata The heavens laugh! The earth rejoices, BWV 31, was written for Easter Sunday in 1715. Ten years later, the cantata Stay with us, for evening falls, BWV 6, was first performed on Easter Monday 1725—just one day after the première, also in cantata form, of the Easter Oratorio.
In this performance, Peter will sing baritone.
Bach: Bleib bei uns, denn es will Abend werden, BWV 6, Der Himmel lacht! Die Erde jubilieret, BWV 31 & Easter Oratorio, BWV 249
The cantata The heavens laugh! The earth rejoices, BWV 31, was written for Easter Sunday in 1715. Ten years later, the cantata Stay with us, for evening falls, BWV 6, was first performed on Easter Monday 1725—just one day after the première, also in cantata form, of the Easter Oratorio.
In this performance, Peter will sing baritone.
Bach: Bleib bei uns, denn es will Abend werden, BWV 6, Der Himmel lacht! Die Erde jubilieret, BWV 31 & Easter Oratorio, BWV 249
The cantata The heavens laugh! The earth rejoices, BWV 31, was written for Easter Sunday in 1715. Ten years later, the cantata Stay with us, for evening falls, BWV 6, was first performed on Easter Monday 1725—just one day after the première, also in cantata form, of the Easter Oratorio.
In this performance, Peter will sing baritone.
Bach: Bleib bei uns, denn es will Abend werden, BWV 6, Der Himmel lacht! Die Erde jubilieret, BWV 31 & Easter Oratorio, BWV 249
The cantata The heavens laugh! The earth rejoices, BWV 31, was written for Easter Sunday in 1715. Ten years later, the cantata Stay with us, for evening falls, BWV 6, was first performed on Easter Monday 1725—just one day after the première, also in cantata form, of the Easter Oratorio.
In this performance, Peter will sing baritone.
Bach: Bleib bei uns, denn es will Abend werden, BWV 6, Der Himmel lacht! Die Erde jubilieret, BWV 31 & Easter Oratorio, BWV 249
The cantata The heavens laugh! The earth rejoices, BWV 31, was written for Easter Sunday in 1715. Ten years later, the cantata Stay with us, for evening falls, BWV 6, was first performed on Easter Monday 1725—just one day after the première, also in cantata form, of the Easter Oratorio.
In this performance, Peter will sing baritone.
Berg: Wozzeck
Alban Berg’s devastating opera thrums with drama: feel its power at this collaboration between the London Philharmonic Orchestra and film-maker Ilya Shagalov.
In this performance, Peter will sing baritone.
Bach, the Universe and Everything | Bach: Was mein Gott will, was g’scheh allzeit, BWV 111
Presenting the cantata ‘Was mein Gott will, das g’scheh allzeit’, Orchestra of the Age of Enlightenment begin the new year with vigorous resolve in this first Bach, the Universe and Everything of 2026.
Peter Edge sings the bass solos as a Rising Star of the Enlightenment.
Whittaker: A Tapestry of Music and Poetry
Featuring original music by John Whittaker alongside short poetry readings given by Anthony Pinching, Peter will be singing and presenting this recital
New Year’s Eve Concert - Constellation Choir & Tonhalle-Orchester
The Constellation Choir and the Tonhalle-Orchester perform Johann Sebastian Bach Motette, Singet dem Herrn ein neues Lied BWV 225, & Ludwig van Beethoven Sinfonie Nr. 9 d-Moll op. 125. In this performance Peter will sing bass in the Constellation Choir.
New Year’s Eve Concert - Constellation Choir & Tonhalle-Orchester
The Constellation Choir and the Tonhalle-Orchester perform Johann Sebastian Bach Motette, Singet dem Herrn ein neues Lied BWV 225, & Ludwig van Beethoven Sinfonie Nr. 9 d-Moll op. 125. In this performance Peter will sing bass in the Constellation Choir.
Handel: Messiah
Thomas Tallis Society Choir and Orchestra | Handel’s Messiah. Peter Edge will be singing the bass solos.
St Alkmund’s Church, Whitchurch | Handel: Messiah
Shrewsbury Choral return to the splendour of St Alkmund’s Church in Whitchurch to perform George Frideric Handel’s masterpiece of choral music, ‘Messiah’.
We are delighted to be performing Messiah with soloists Holly Teague, Helena Cooke, Will Smith and Peter Edge under the baton of Martin Cook.
Vaughan Williams: Fantasia on Christmas Carols
London Lawyer’s Chorus perform Vaughan Williams: Fantasia on Christmas Carols. Peter Edge will be singing the Baritone Solos.
Purcell: King Arthur
Join the Asyla Ensemble and Queen’s Park Singers in a concert performance of Purcell’s King Arthur. Peter Edge will be singing the bass solos, including the famous ‘Cold Song’.
Bach, the Universe and Everything | Bach: Nur jedem das Seine BWV 163 (To each his own!)
This month’s cantata is the first of two composed in late 1715 for the court in Weimar – where Bach compiled the Brandenburg Concertos. Peter Edge sings the bass solos as a Rising Star of the Enlightenment.
Solo Recital: Maelor Music Society
Baritone Peter Edge and pianist John Gough present a recital at Maelor Music Society. Music includes Grieg’s Sechs Lieder, Ravel’s Don Quichotte and Britten ‘folksong selection’.
Handel: Messiah
Join St Martin’s Voices and St Martin’s Chamber Ensemble for a Christmas performance of Handel’s Messiah. Peter will be singing the bass solos.
Duruflé: Requiem
In this performance of Duruflé’s Requiem, Peter will be singing the baritone solos.
Heggie: Dead Man Walking
In this performance of Heggie’s Dead Man Walking, Peter will be singing in the Chorus.
Heggie: Dead Man Walking
In this performance of Heggie’s Dead Man Walking, Peter will be singing in the Chorus.
Heggie: Dead Man Walking
In this performance of Heggie’s Dead Man Walking, Peter will be singing in the Chorus.
Heggie: Dead Man Walking
In this performance of Heggie’s Dead Man Walking, Peter will be singing in the Chorus.
Bachfest | London Bach Society’s Foundation Day
Join Peter Edge, baritone, Bachfest Consort of Voices and the Steinitz Bach Players as they perform Bach Cantatas BWV 168, 1042 and 42.
Heggie: Dead Man Walking
In this performance of Heggie’s Dead Man Walking, Peter will be singing in the Chorus.
Heggie: Dead Man Walking
In this performance of Heggie’s Dead Man Walking, Peter will be singing in the Chorus.
Bach, the Universe and Everything | Bach: Wo soll ich fliehen hin (‘Where shall I flee’), BWV 5
The first cantata of the new Bach, the Universe and Everything season sets us on the well-trodden trajectory from forgiveness to hope with ‘Wo soll ich fliehen hin’ (‘Where shall I flee’). Peter Edge sings the bass solos as a Rising Star of the Enlightenment.
Mendelssohn: Elijah
Felix Mendelssohn’s Elijah tells the story of the biblical prophet Elijah. Peter Edge will sing the role of Elijah in this reduced version, lasting around 80 minutes with no interval.
Songhaven: In celebration of Age UK’s Silver Sunday
Join baritone Peter Edge and tenor Jon Cooke as they sing a selection of popular opera, song and musical theatre.
OAE Masterclass | Rising Stars of Voice Masterclass with Roderick Williams
Our Rising Stars programme proudly welcomes its newest cohort, who will unite under the expert guidance of Roddy Williams.
Orchestra of the Age of Enlightenment | Rising Stars of Voice Showcase
Meet Sofie Kirwan-Baez (soprano), Angharad Rowlands (mezzo-soprano), Hugo Brady (tenor) and Peter Edge (baritone), to be our next cohort of Risings Stars of the Enlightenment.
F. Mendelssohn : Erste Walpurgisnacht & A Midsummer Night’s Dream
In this performance of Mendelssohn’s Die Erste Walpurgisnacht and A Midsummer Night’s Dream, Peter will be performing step out solos and singing in the Constellation Choir.
F. Mendelssohn : Erste Walpurgisnacht & A Midsummer Night’s Dream
In this performance of Mendelssohn’s Die Erste Walpurgisnacht and A Midsummer Night’s Dream, Peter will be performing step out solos and singing in the Constellation Choir.
F. Mendelssohn : Erste Walpurgisnacht & A Midsummer Night’s Dream
In this performance of Mendelssohn’s Die Erste Walpurgisnacht and A Midsummer Night’s Dream, Peter will be performing step out solos and singing in the Constellation Choir.
F. Mendelssohn : Erste Walpurgisnacht & A Midsummer Night’s Dream
In this performance of Mendelssohn’s Die Erste Walpurgisnacht and A Midsummer Night’s Dream, Peter will be performing step out solos and singing in the Constellation Choir.
F. Mendelssohn : Erste Walpurgisnacht & A Midsummer Night’s Dream
In this performance of Mendelssohn’s Die Erste Walpurgisnacht and A Midsummer Night’s Dream, Peter will be performing step out solos and singing in the Constellation Choir.
F. Mendelssohn : Erste Walpurgisnacht & A Midsummer Night’s Dream
In this performance of Mendelssohn’s Die Erste Walpurgisnacht and A Midsummer Night’s Dream, Peter will be performing step out solos and singing in the Constellation Choir.