Rossini: Petite Messe Solenelle
The Monteverdi Choir & Orchestras’ groundbreaking exploration of Rossini on period instruments continues with the crowning achievement of the composer’s final creative years: the Petite messe solennelle.
Alexandra Palace, London
Bach: Cantata BWV 2
Ach Gott, vom Himmel sieh darein, (Ah God, look down from heaven), BWV 2
Kings Place London.
Peter Edge sings the bass solos.
Bizet: L’Arlésienne
BIZET: L’Arlésienne
A staged performance with Bizet’s complete incidental music and a new translation of Daudet’s original play by Jeremy Sams.
Queen Elizabeth II Hall, Southbank Centre, London
Bizet: L’Arlésienne
BIZET: L’Arlésienne
A staged performance with Bizet’s complete incidental music and a new translation of Daudet’s original play by Jeremy Sams.
Queen Elizabeth II Hall, Southbank Centre, London
Elgar The Dream of Gerontius arr. Iain Farrington
Elgar The Dream of Gerontius arr. Iain Farrington.
St Martin in the Fields, London.
Peter Edge Priest/Angel of the Agony
Bizet: Carmen
Damiano Michieletto’s searing production returns, casting a new light on the lust, violence and passion of Bizet’s ever-popular opera.
Royal Ballet and Opera, London.
A co-produciton with Teatro Real, Madrid and La Scala, Milan
Bizet: Carmen
Damiano Michieletto’s searing production returns, casting a new light on the lust, violence and passion of Bizet’s ever-popular opera.
Royal Ballet and Opera, London.
A co-produciton with Teatro Real, Madrid and La Scala, Milan
Bizet: Carmen
Damiano Michieletto’s searing production returns, casting a new light on the lust, violence and passion of Bizet’s ever-popular opera.
Royal Ballet and Opera, London.
A co-produciton with Teatro Real, Madrid and La Scala, Milan
Bizet: Carmen
Damiano Michieletto’s searing production returns, casting a new light on the lust, violence and passion of Bizet’s ever-popular opera.
Royal Ballet and Opera, London.
A co-produciton with Teatro Real, Madrid and La Scala, Milan
Bizet: Carmen
Damiano Michieletto’s searing production returns, casting a new light on the lust, violence and passion of Bizet’s ever-popular opera.
Royal Ballet and Opera, London.
A co-produciton with Teatro Real, Madrid and La Scala, Milan
Bizet: Carmen
Damiano Michieletto’s searing production returns, casting a new light on the lust, violence and passion of Bizet’s ever-popular opera.
Royal Ballet and Opera, London.
A co-produciton with Teatro Real, Madrid and La Scala, Milan
Bizet: Carmen
Damiano Michieletto’s searing production returns, casting a new light on the lust, violence and passion of Bizet’s ever-popular opera.
Royal Ballet and Opera, London.
A co-produciton with Teatro Real, Madrid and La Scala, Milan
Bizet: Carmen
Damiano Michieletto’s searing production returns, casting a new light on the lust, violence and passion of Bizet’s ever-popular opera.
Royal Ballet and Opera, London.
A co-produciton with Teatro Real, Madrid and La Scala, Milan
Bizet: Carmen
Damiano Michieletto’s searing production returns, casting a new light on the lust, violence and passion of Bizet’s ever-popular opera.
Royal Ballet and Opera, London.
A co-produciton with Teatro Real, Madrid and La Scala, Milan
Bizet: Carmen
Damiano Michieletto’s searing production returns, casting a new light on the lust, violence and passion of Bizet’s ever-popular opera.
Royal Ballet and Opera, London.
A co-produciton with Teatro Real, Madrid and La Scala, Milan
Bach: Cantata BWV 4
Christ lag in Todes Banden, (Christ lay in death’s bonds), BWV 4
Kings Place London.
Peter Edge sings the bass solos.
Handel: Messiah
Handel: Messiah
Sheffield City Hall
The Sheffield Philharmonic Chorus makes its first appearance this season with a long-awaited performance of Handel’s classic oratorio, Messiah. They join Manchester Camerata, a cast of star soloists and Laurence Cummings, a conductor that “matches Handel’s energy and invention with unmistakable lyricism, generosity and dignity” (The Guardian).
Handel: Messiah
Sofia Kirwan-Baez (soprano)
Angharad Rowlands (mezzo-soprano)
Hugo Brady (tenor)
Peter Edge (bass)
Orchestra and Choir of the Age of Enlightenment (UK)
Handel: Messiah
Handel: Messiah
Orchestra of the Age of Enlightenment
Saffron Walden Choral Society
Quintin Beer conductor
Sofia Kirwan-Baez soprano
Angharad Rowlands alto
Hugo Brady tenor
Peter Edge bass
Bach: Cantata BWV 102
Herr, deine Augen sehen nach dem Glauben, (Lord, your eyes look for faith), BWV 102
Kings Place London.
Peter Edge sings the bass solos.
Handel: Atalanta
An opera in three acts by Georg Friedrich Händel.
Innsbrucker Festen der Alten Musik 2026.
In this performance, Peter will perform the role of Nicandro.
Handel: Atalanta
An opera in three acts by Georg Friedrich Händel.
Innsbrucker Festen der Alten Musik 2026.
In this performance, Peter will perform the role of Nicandro.
Handel: Atalanta
An opera in three acts by Georg Friedrich Händel.
Innsbrucker Festen der Alten Musik 2026.
In this performance, Peter will perform the role of Nicandro.
Handel: Atalanta
An opera in three acts by Georg Friedrich Händel.
Innsbrucker Festen der Alten Musik 2026.
In this performance, Peter will perform the role of Nicandro.
Tchaikovsky: Eugene Onegin
A cruel rejection ignites this powerful exploration of love, pride, and the irreversible choices that shape our lives. Tchaikovsky’s exquisite score blends Russian soul with universal emotion, from vibrant dances to soaring arias and ensembles.
In this performance, Peter will sing the role of Zaretsky.
Puccini: La Bohème
As revolution brews in 1830s Paris, an endearing circle of friends show us what it means to truly live—for art, for love and for one another. Puccini’s radiant score brims with warmth and wit before breaking the heart with one of opera’s most unforgettable tragedies.
In this production, Peter will play the role of Customs Sergeant.
Tchaikovsky: Eugene Onegin
A cruel rejection ignites this powerful exploration of love, pride, and the irreversible choices that shape our lives. Tchaikovsky’s exquisite score blends Russian soul with universal emotion, from vibrant dances to soaring arias and ensembles.
In this performance, Peter will sing the role of Zaretsky.
Puccini: La Bohème
As revolution brews in 1830s Paris, an endearing circle of friends show us what it means to truly live—for art, for love and for one another. Puccini’s radiant score brims with warmth and wit before breaking the heart with one of opera’s most unforgettable tragedies.
In this production, Peter will play the role of Customs Sergeant.
Tchaikovsky: Eugene Onegin
A cruel rejection ignites this powerful exploration of love, pride, and the irreversible choices that shape our lives. Tchaikovsky’s exquisite score blends Russian soul with universal emotion, from vibrant dances to soaring arias and ensembles.
In this performance, Peter will sing the role of Zaretsky.
Puccini: La Bohème
As revolution brews in 1830s Paris, an endearing circle of friends show us what it means to truly live—for art, for love and for one another. Puccini’s radiant score brims with warmth and wit before breaking the heart with one of opera’s most unforgettable tragedies.
In this production, Peter will play the role of Customs Sergeant.
Tchaikovsky: Eugene Onegin
A cruel rejection ignites this powerful exploration of love, pride, and the irreversible choices that shape our lives. Tchaikovsky’s exquisite score blends Russian soul with universal emotion, from vibrant dances to soaring arias and ensembles.
In this performance, Peter will sing the role of Zaretsky.
Tchaikovsky: Eugene Onegin
A cruel rejection ignites this powerful exploration of love, pride, and the irreversible choices that shape our lives. Tchaikovsky’s exquisite score blends Russian soul with universal emotion, from vibrant dances to soaring arias and ensembles.
In this performance, Peter will sing the role of Zaretsky.
Puccini: La Bohème
As revolution brews in 1830s Paris, an endearing circle of friends show us what it means to truly live—for art, for love and for one another. Puccini’s radiant score brims with warmth and wit before breaking the heart with one of opera’s most unforgettable tragedies.
In this production, Peter will play the role of Customs Sergeant.
Tchaikovsky: Eugene Onegin
A cruel rejection ignites this powerful exploration of love, pride, and the irreversible choices that shape our lives. Tchaikovsky’s exquisite score blends Russian soul with universal emotion, from vibrant dances to soaring arias and ensembles.
In this performance, Peter will sing the role of Zaretsky.
Puccini: La Bohème
As revolution brews in 1830s Paris, an endearing circle of friends show us what it means to truly live—for art, for love and for one another. Puccini’s radiant score brims with warmth and wit before breaking the heart with one of opera’s most unforgettable tragedies.
In this production, Peter will play the role of Customs Sergeant.
Puccini: La Bohème
As revolution brews in 1830s Paris, an endearing circle of friends show us what it means to truly live—for art, for love and for one another. Puccini’s radiant score brims with warmth and wit before breaking the heart with one of opera’s most unforgettable tragedies.
In this production, Peter will play the role of Customs Sergeant.
Puccini: La Bohème
As revolution brews in 1830s Paris, an endearing circle of friends show us what it means to truly live—for art, for love and for one another. Puccini’s radiant score brims with warmth and wit before breaking the heart with one of opera’s most unforgettable tragedies.
In this production, Peter will play the role of Customs Sergeant.
Puccini: La Bohème
As revolution brews in 1830s Paris, an endearing circle of friends show us what it means to truly live—for art, for love and for one another. Puccini’s radiant score brims with warmth and wit before breaking the heart with one of opera’s most unforgettable tragedies.
In this production, Peter will play the role of Customs Sergeant.
Berg: Wozzeck
Alban Berg’s devastating opera thrums with drama: feel its power at this collaboration between the London Philharmonic Orchestra and film-maker Ilya Shagalov.
In this performance, Peter will sing baritone.
Bach: Bleib bei uns, denn es will Abend werden, BWV 6, Der Himmel lacht! Die Erde jubilieret, BWV 31 & Easter Oratorio, BWV 249
The cantata The heavens laugh! The earth rejoices, BWV 31, was written for Easter Sunday in 1715. Ten years later, the cantata Stay with us, for evening falls, BWV 6, was first performed on Easter Monday 1725—just one day after the première, also in cantata form, of the Easter Oratorio.
In this performance, Peter will sing baritone.
Bach: Bleib bei uns, denn es will Abend werden, BWV 6, Der Himmel lacht! Die Erde jubilieret, BWV 31 & Easter Oratorio, BWV 249
The cantata The heavens laugh! The earth rejoices, BWV 31, was written for Easter Sunday in 1715. Ten years later, the cantata Stay with us, for evening falls, BWV 6, was first performed on Easter Monday 1725—just one day after the première, also in cantata form, of the Easter Oratorio.
In this performance, Peter will sing baritone.
Bach: Bleib bei uns, denn es will Abend werden, BWV 6, Der Himmel lacht! Die Erde jubilieret, BWV 31 & Easter Oratorio, BWV 249
The cantata The heavens laugh! The earth rejoices, BWV 31, was written for Easter Sunday in 1715. Ten years later, the cantata Stay with us, for evening falls, BWV 6, was first performed on Easter Monday 1725—just one day after the première, also in cantata form, of the Easter Oratorio.
In this performance, Peter will sing baritone.
Bach: Bleib bei uns, denn es will Abend werden, BWV 6, Der Himmel lacht! Die Erde jubilieret, BWV 31 & Easter Oratorio, BWV 249
The cantata The heavens laugh! The earth rejoices, BWV 31, was written for Easter Sunday in 1715. Ten years later, the cantata Stay with us, for evening falls, BWV 6, was first performed on Easter Monday 1725—just one day after the première, also in cantata form, of the Easter Oratorio.
In this performance, Peter will sing baritone.
Bach: Bleib bei uns, denn es will Abend werden, BWV 6, Der Himmel lacht! Die Erde jubilieret, BWV 31 & Easter Oratorio, BWV 249
The cantata The heavens laugh! The earth rejoices, BWV 31, was written for Easter Sunday in 1715. Ten years later, the cantata Stay with us, for evening falls, BWV 6, was first performed on Easter Monday 1725—just one day after the première, also in cantata form, of the Easter Oratorio.
In this performance, Peter will sing baritone.
Bach: St John Passion
Johanna Soller makes her London debut in Bach’s soulful St John Passion. The Artistic Director of the Munich Bach Choir has been praised for her unique combination of emotion, focused energy and intelligence.
Peter Edge sings the bass solos and Christus as a Rising Star of the Enlightenment.
Bach, the Universe and Everything | Bach: In allen meinen Taten (‘In all my actions’), BWV 97
The 8th season of Bach, the Universe and Everything continues with Orchestra of the Age of Enlightenments performance of ‘In allen meinen Taten (‘In all my actions’), BWV 97.
Peter Edge sings the bass solos as a Rising Star of the Enlightenment.
Purcell: Dido & Aeneas
In this performance of Purcell’s Dido & Aeneas, Peter will sing the role of Aeneas.
Mozart Requiem in D Minor & Haydn ‘Maria Teresa’ Mass
In this performance of Mozart’s Requiem and Haydn’s ‘Maria Teresa’ Mass, Peter will sing the baritone solos.
Music and the Land—Bach and the Ecology of Listening
How do the wonders of nature inform our ways of listening and artistic expression? The first part of this seminar, led by the world-renowned and prestigious maestro Sir John Eliot Gardiner, uses the music of Bach as a starting point to explore the intricate connections between music, nature and the ecological environment.
Peter Edge sings the bass in the choir.
Mozart Requiem in D Minor
Sir John Eliot Gardiner conducts Bach Mass in b minor, BWV 232
Peter Edge sings the bass in the choir.