A cruel rejection ignites this powerful exploration of love, pride, and the irreversible choices that shape our lives. Tchaikovsky’s exquisite score blends Russian soul with universal emotion, from vibrant dances to soaring arias and ensembles.

In this performance, Peter will sing the role of Zaretsky.

As revolution brews in 1830s Paris, an endearing circle of friends show us what it means to truly live—for art, for love and for one another. Puccini’s radiant score brims with warmth and wit before breaking the heart with one of opera’s most unforgettable tragedies.

In this production, Peter will play the role of Customs Sergeant.

As revolution brews in 1830s Paris, an endearing circle of friends show us what it means to truly live—for art, for love and for one another. Puccini’s radiant score brims with warmth and wit before breaking the heart with one of opera’s most unforgettable tragedies.

In this production, Peter will play the role of Customs Sergeant.

As revolution brews in 1830s Paris, an endearing circle of friends show us what it means to truly live—for art, for love and for one another. Puccini’s radiant score brims with warmth and wit before breaking the heart with one of opera’s most unforgettable tragedies.

In this production, Peter will play the role of Customs Sergeant.

As revolution brews in 1830s Paris, an endearing circle of friends show us what it means to truly live—for art, for love and for one another. Puccini’s radiant score brims with warmth and wit before breaking the heart with one of opera’s most unforgettable tragedies.

In this production, Peter will play the role of Customs Sergeant.

Alban Berg’s devastating opera thrums with drama: feel its power at this collaboration between the London Philharmonic Orchestra and film-maker Ilya Shagalov.

In this performance, Peter will sing baritone.

The cantata The heavens laugh! The earth rejoices, BWV 31, was written for Easter Sunday in 1715. Ten years later, the cantata Stay with us, for evening falls, BWV 6, was first performed on Easter Monday 1725—just one day after the première, also in cantata form, of the Easter Oratorio.

In this performance, Peter will sing baritone.

The cantata The heavens laugh! The earth rejoices, BWV 31, was written for Easter Sunday in 1715. Ten years later, the cantata Stay with us, for evening falls, BWV 6, was first performed on Easter Monday 1725—just one day after the première, also in cantata form, of the Easter Oratorio.

In this performance, Peter will sing baritone.

The cantata The heavens laugh! The earth rejoices, BWV 31, was written for Easter Sunday in 1715. Ten years later, the cantata Stay with us, for evening falls, BWV 6, was first performed on Easter Monday 1725—just one day after the première, also in cantata form, of the Easter Oratorio.

In this performance, Peter will sing baritone.

The cantata The heavens laugh! The earth rejoices, BWV 31, was written for Easter Sunday in 1715. Ten years later, the cantata Stay with us, for evening falls, BWV 6, was first performed on Easter Monday 1725—just one day after the première, also in cantata form, of the Easter Oratorio.

In this performance, Peter will sing baritone.

The cantata The heavens laugh! The earth rejoices, BWV 31, was written for Easter Sunday in 1715. Ten years later, the cantata Stay with us, for evening falls, BWV 6, was first performed on Easter Monday 1725—just one day after the première, also in cantata form, of the Easter Oratorio.

In this performance, Peter will sing baritone.

Johanna Soller makes her London debut in Bach’s soulful St John Passion. The Artistic Director of the Munich Bach Choir has been praised for her unique combination of emotion, focused energy and intelligence.

Peter Edge sings the bass solos and Christus as a Rising Star of the Enlightenment.

The 8th season of Bach, the Universe and Everything continues with Orchestra of the Age of Enlightenments performance of ‘In allen meinen Taten (‘In all my actions’), BWV 97.

Peter Edge sings the bass solos as a Rising Star of the Enlightenment.

In this performance of Purcell’s Dido & Aeneas, Peter will sing the role of Aeneas.

In this performance of Mozart’s Requiem and Haydn’s ‘Maria Teresa’ Mass, Peter will sing the baritone solos.

How do the wonders of nature inform our ways of listening and artistic expression? The first part of this seminar, led by the world-renowned and prestigious maestro Sir John Eliot Gardiner, uses the music of Bach as a starting point to explore the intricate connections between music, nature and the ecological environment.

Peter Edge sings the bass in the choir.

Sir John Eliot Gardiner conducts Bach Mass in b minor, BWV 232

Peter Edge sings the bass in the choir.

Sir John Eliot Gardiner conducts Bach Mass in b minor, BWV 232

Peter Edge sings the bass in the choir.

Sir John Eliot Gardiner conducts Bach Mass in b minor, BWV 232

Peter Edge sings the bass in the choir.

Sir John Eliot Gardiner conducts Bach Mass in b minor, BWV 232

Peter Edge sings the bass in the choir.

International Handel Singing Competition Finalists

Peter Edge sings the bass solos in this recital.

The 8th season of Bach, the Universe and Everything continues with Orchestra of the Age of Enlightenments performance of ‘Was Gott tut, das ist wohlgetan’ – a remarkable cantata that appears to have been performed at an unspecified special occasion in Leipzig in 1734 (we’ll hear another such work at March’s event).

Peter Edge sings the bass solos as a Rising Star of the Enlightenment.

New for 2025/26. Consumerism meets hedonism in ENO’s alluring new production of Kurt Weill and Bertolt Brecht’s rarely performed and frighteningly relevant tale of satisfaction at any price.

In this production, Peter Edge will be singing baritone.

New for 2025/26. Consumerism meets hedonism in ENO’s alluring new production of Kurt Weill and Bertolt Brecht’s rarely performed and frighteningly relevant tale of satisfaction at any price.

In this production, Peter Edge will be singing baritone.

New for 2025/26. Consumerism meets hedonism in ENO’s alluring new production of Kurt Weill and Bertolt Brecht’s rarely performed and frighteningly relevant tale of satisfaction at any price.

In this production, Peter Edge will be singing baritone.

In this production of Handel’s Messiah, Peter will be singing the Bass solos.

Presenting the cantata ‘Was mein Gott will, das g’scheh allzeit’, Orchestra of the Age of Enlightenment begin the new year with vigorous resolve in this first Bach, the Universe and Everything of 2026.

Peter Edge sings the bass solos as a Rising Star of the Enlightenment.

Featuring original music by John Whittaker alongside short poetry readings given by Anthony Pinching, Peter will be singing and presenting this recital

The Constellation Choir and the Tonhalle-Orchester perform Johann Sebastian Bach Motette, Singet dem Herrn ein neues Lied BWV 225, & Ludwig van Beethoven Sinfonie Nr. 9 d-Moll op. 125. In this performance Peter will sing bass in the Constellation Choir.

The Constellation Choir and the Tonhalle-Orchester perform Johann Sebastian Bach Motette, Singet dem Herrn ein neues Lied BWV 225, & Ludwig van Beethoven Sinfonie Nr. 9 d-Moll op. 125. In this performance Peter will sing bass in the Constellation Choir.