Bach creates one of his greatest cantatas with In allen meinen Taten. Shaped as a baroque suite opening with a grand French-style overture, its five arias traverse from the low bass to high soprano, creating opportunities along the way for exhilarating rhythmic interplay and stunning virtuosity from several of the instrumentalists.

Our survey of the music of the Flemish composer Jacobus Clemens (c. 1510 – 1556) concludes with the motet Ecce quam bonum upon which the composer based the mass heard in the first concert of the season

Jessica soprano
Angharad Rowlands alto
Hugo Brady tenor
Peter Edge bass
Steven Devine director